Related Paintings of unknow artist :. | Grape and apple | A scene inspired by the Commedia Dell arte | Still life floral, all kinds of reality flowers oil painting 269 | Holengmalde of a galloping horse | Westcombe House Blackheath |
Related Artists:
Pietro Antonio Rotari
Italian painter , (b. 1707, Verona, d. 1762, St. Petersburg) Italian painter. His artistic career began as a youthful distraction, but his talent quickly became apparent, and he entered the studio of Antonio Balestra in Verona, remaining there until he was 18. He spent the years 1725-7 in Venice and then moved c. 1728 to Rome, where he stayed for four years as a student of Francesco Trevisani. Between 1731 and 1734 he studied with Francesco Solimena in Naples before returning to Verona, where he set up his own studio and school. His most notable early independent works are multi-figured altarpieces (e.g. the Four Martyrs, 1745; Verona, church of the Ospedale di S Giacomo), which emulate 17th-century Roman and Neapolitan works. However, he also studied the smaller, more intimate paintings of Roman Baroque artists, and these influenced his later works. He fell victim to the wanderlust that appears to have been endemic to 18th-century Venetian painters, and c. 1751 he travelled to Vienna, where he was able to study works by Jean-Etienne Liotard, whose clean pictorial smoothness impressed him. He later moved to Dresden
Giovanni Ghisolfi
Italian Painter , ca.1623-1683 He first trained with his uncle, Antonio Volpino. In 1650, together with his friend Antonio Busca, he travelled to Rome, where he studied the great compositions of Pietro da Cortona and for some time frequented the studio of Salvator Rosa. In 1661 he returned to Lombardy and worked at the Certosa di Pavia, decorating a whole chapel with frescoes showing Legends of St Benedict (in situ), and later providing a canvas of St Bruno, which is now in the Certosa library. In the background of this picture Ghisolfi painted a sloping landscape in a style very close to that of Pietro da Cortona. In the following years he evidently established a reputation for landscape paintings with architecture and ancient ruins. In 1664 he was called to Vicenza to execute, in the Palazzo Trissino Baston and the Palazzo Giustiniani Baggio, an extensive series of decorative landscape frescoes (partially destr.; known through photographs). Numerous preparatory drawings for these exist (Haarlem, Teylers Mus.; Windsor Castle, Berks, Royal Col.). In the same period Ghisolfi collaborated with Antonio Busca on a series of decorative frescoes in the gallery of Palazzo Borromeo Arese at Cesano Maderno, near Milan, and later, with Federico Bianchi, in the Villa Litta Modigliani (1680) at Varese. Both these works have been gravely damaged by decay and later repaintings.
Henri Fantin-Latour
French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.